For the past 4 years, I’ve been working in the jewelry world,
through daily, hands-on work with material and stone.

I began as a diamond setter, a practice that demands absolute precision,
control, and responsibility
for every small decision. Line, measurement,
and proportion are not stylistic choices,
but the foundation of proper making.
Alongside the professional work,

there has always been a need to look beyond the surface,
to explore how structure, material, and movement can carry meaning,
without words or declarations.

Over time, through repetition and experience,
the need emerged to move from execution into authorship.
Not to innovate for its own sake,
but to develop a personal language
and allow form and material to lead the work.

My practice focuses on form, proportion, and movement.
Each piece is built through a slow and deliberate process,
with direct involvement at every stage,
from structure to setting. I see jewelry as a constructed object,
not decoration. A system of decisions,
balance, and presence.
The works are made in small series or as individual pieces,
to preserve focus, accuracy, and intention.